* Develop strong practice and performance confidence.
* Focus on what’s most important in practice
and performance.
* Beginners or Pro, we all deal with our own
limits.
* Deal with distractions and doubts.
* Identify your own mistakes during performing.
* Improve your performances and the communication
of your song to your audience.
* Manage “hostile” possible situations in different
places.
* Organize appropriate and effective concerts.
* Use effective pre-performance routines to build
confidence.
* Incorporate mental rehearsal, imagery, and
positive routines into preparation
* Devise effective and efficient practice plans.
* Optimize your performance as well in concerts,
auditions or other situations as you do in practice.
* Enjoy your time performing well in front of
others.
* Work with anxiety or fear when performing.
* Work with improvisation and enjoy it on stage.
* Enjoy making mistakes and work with them.
* Work with your own songs and get the greatest
possible emotional experience from them.
* Improve your sound.
* Optimize your soundcheck time for a good performance.
* Memorization system: hard and easy parts of
a song.
* Optimize the musical energy during a concert.
* Improve the use of effects.
* Prepare your songs for a possible album recording
(advanced coaching).
My coaching can include lesson techniques but
it attempts to go far beyond what you get from usual lessons.
My aim is to defeat the barriers you are having
that are stopping you from improving in the way you want.
It is personal work and every musician is different
from another. My work is to understand you and help
to improve your own musical potential. My background
knowledge is my own experience of more than 20 years
playing Stick concerts in many different situations
including in bands, solo concerts, tours and recordings.
Private Skype sessions.
Contact and questions: stickcenter@hotmail.com
Share this to other people: http://bit.ly/2kHmFQJ
-----------
* Conseguir buenos ensayos y confianza durante
un concierto.
* Concentración en qué es lo importante
en ensayo y concierto.
* Principiantes o Pro, todos tenemos que lidiar
con nuestros limites.
* Trabajar con distracciones y dudas.
* Identificar los propios errores durante la
ejecución.
* Mejorar la ejecución y la comunicación
de las canciones con la audiencia.
* Manejar posible situaciones “hostiles” en diferentes
lugares.
* Organizar conciertos efectivos.
* Usar rutinas de trabajo efectivas para crear
confianza.
* Incorporar ensayos mentales, imaginería
y rutinas positivas.
* Desarrollar planificación de ensayos
eficientes.
* Optimizar la ejecución al mismo nivel
que en el ensayo.
* Disfrutar de la libertad y tiempo tocando en
frente de otros.
* Trabajar con la ansiedad y miedos durante los
conciertos.
* Trabajar con improvisaciones en el escenario.
* Trabajar con el error y como utilizarlo para
nuestro beneficio.
* Trabajar con las canciones y obtener la mejor
experiencia emocional con ellas.
* Mejora y optimizar el sonido en concierto.
* Optimizar las pruebas de sonido para una buena
performance.
* Sistemas de Memorización para puntos
difíciles de una ejecución.
* Optimizar la energía musical durante
un concierto.
* Mejorar el uso de efectos.
* Preparar las canciones para un posible album
(coaching avanzado).
Mi coaching puede incluir clases sobre la técnica
pero intento ir mas allá de las clases habituales.
Mi intento es vencer las barreras que tiene el
músico y que lo están frenando para mejorar lo que desea.
Este es un trabajo muy personal y cada músico
es diferente. Mi trabajo es entender al músico y ayudarlo
a mejorar su potencial musical. Este trabajo
está basado en mi propia experiencia musical y de enseñanza
con mas de 20 años ofreciendo conciertos
de Stick en diferentes situaciones -
incluyendo bandas, conciertos solistas, giras
y grabaciones.
Sesiones de Skype privadas.
Contacto y preguntas: stickcenter@hotmail.com
Comparte esto con otras personas: http://bit.ly/2kHmFQJ
Hola amigos,
La Gira Silenciosa
empieza a moverse otra vez. Comenzaré por España y luego
Argentina.
Si todo marcha bien,
este año estaré también en Colombia para luego intentar
hacer un crazy-europe-tour
por Holanda, Finlandia,
Polonia, etc.
Pero antes de que
crean que mi vida es la de un “super estrella del pop”, déjenme
decirles esto: mis giras son
siempre artesanales.
¿Qué significa? Que estas largas giras son posibles gracias
a la ayuda de la gente en
cada ciudad que
nos permite organizarla de mil maneras distintas: nos envían direcciones
de salas, nos ponen
en contacto directo
con organizadores de eventos, a veces se involucran ellos mismos en la
organización de un
concierto, o son
músicos, o simplemente son amigo/as del dueño de una sala
de conciertos o bar, o conocen a
directores de cultura
o teatros que de otra manera nunca se enteraría de ésta gira.
En muchos casos son
personas particulares que quieren llevar una música diferente allí
donde viven y que creen
que es posible generar
una cultura alternativa. Si eres/sos una de esas personas, entonces tenemos
que hablar.
Así, con Facebook
y mails de por medio se organizó la última gira de 40 conciertos
y así serán las siguientes
aventuras musicales
que me llevan a la maravillosa tarea de formar parte de este extraño
rito primitivo que aun
persiste en nuestros
días: hacer música para que otros la escuchen.
abrazo,
Guillermo Cides
---
Hello friends,
The Silent Tour begins
to move again! I will start with Spain and then Argentina. If everything
goes well, this year
I will be in Colombia
and then try to do a crazy-europe-tour through Holland, Finland, Poland,
etc.
But before you think
my life is like a "super pop star", let me tell you this: my tours are
always handcrafted.
What does it mean?
That these long tours are possible thanks to the help of the people in
each city that allows us
to organize it in
a thousand different ways: they send us directions of concert halls, they
put us in direct contact with organizers of events, sometimes they themselves
involve in the organization of a concert, or they are musicians,
or simply they are
friends of the owner of a concert hall or bar, or meet Culture Directors
or theaters who would
otherwise never
know of this tour.
In many cases they
are single people who want to bring a different music where they live and
who believe that it is
possible to generate
an alternative culture. If you are one of those people, then we have to
talk.
Thus, with Facebook
and through emails was organized the last tour of 40 concerts and so the
following musical adventures that lead me to the wonderful task of being
part of this strange primitive rite that still persists in our
days: to play music
to be heard by others.
hugs,
Guillermo
.
Finished in early 2016, all the tracks on this
album were composed on the Tim Donahue signature model electric harp guitar,
which I've been playing for just a few years;
there's also a heavy Chapman Stick presence on the album,
that's an instrument I've been playing a lot
longer.
At the time of writing this text, as far as I
know, this may be the only album to date which features this particular
combination
of instruments - fretted and fretless electric
harp guitars, 10-string Chapman Stick and 8-string guitar-tuned Alto Stick.
I wanted to do something that incorporated some
of the contrasting textures of the different sounds, totally different
playing
techniques and characteristics of these instruments.
The results are quite a mixture in terms of styles of music, the album
doesn't
fit into any one 'genre' exactly - hard to categorize,
a bit like life itself, in that sense, perhaps.
The music, the title, and and the track titles,
mean whatever you want them to mean; to me, that's what music's for,
so whatever you might imagine or visualize from
any part of it is fine by me... :)
Just over an hour of instrumental music.
Thanks for listening, I hope you enjoy it. credits released April 14, 2017
All tracks composed, played, recorded, mixed
and edited by Derek Dallenger. Copyright : Derek Dallenger 2016.
Instruments : Tim Donahue Signature Model electric
harp guitars (fretted and fretless) (www.timdonahue.com)
!0-string Chapman Stick and 8-string guitar-tuned
Alto Stick* (www.stick.com)
Drums - loops and virtual drummer. Additional
live drums on ‘Palisade’ by Ian Kitney.
Mastered by : SIM , Arc Electronics, Southampton,
U.K.
Artwork by Darren Chilton (www.soundcloud.com/spectrum_one)
*Stick and Chapman Stick are registered trademarks
of Stick Enterprises inc., U.S.A.
tags: chapman stick jazz alternative electric
harp guitar instrumental new age pop soundtrack Miyakonojo
https://derekdallenger.bandcamp.com/album/asterism
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